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 |  | View more photos Coachwork: Darrin |
Packard: A Brief HistoryPackard entered the 1940s firmly ensconced at the top of Detroit's luxury car market. It also saw the looming demands of war-related production coming and rationalized its line with the elimination of the complex and expensive Twelve. It was replaced by the Custom Super Eight One-Eighty, carrying Packard's senior custom body line. Five were Packard Customs, two were bodied by Rollson, and the balance of three was created by Darrin. Luxuriously equipped and lavishly trimmed, a One-Eighty could set its buyer back by $6,800 or more depending on special requests and options.
The success of Packard's move was amply demonstrated when 1,900 One-Eighties were sold, more than four times 1939's production of Packard Twelves. Sales of the new One-Eighty were boosted by the reception and publicity which one of its new custom styles - the new Darrin Convertible Victoria - received, described by Packard as the 'Glamour Car of the Year,' a claim that was more accurate than advertising hype.
The Darrin
Howard 'Dutch' Darrin was born to money and comfort and blessed with an eye and a sense for style, design and balance. Darrin was not, however, quite as well supplied with family money as his contemporary, Edsel Ford, and labored successfully among his social counterparts during a 40-year career in America and Europe designing some of the most important, successful, elegant and creative coachwork of the Classic Era.
Early in his career Darrin worked at the family company, Automatic Switch Company in New Jersey, designing complex electrical switching systems, including the first push-button elevator switch used by Otis Elevator, experience which later stood him in good stead coping with the mechanical complexities of coachwork including folding-top mechanisms, his famous sliding-door system and relocating the steering column and wheel for lower cowl and hood lines.
Darrin was the ideal representative for LeBaron to send to Paris to represent them in 1922 where his naturally ebullient personality blended smoothly with the 'Jazz Age.' But barely a year later he joined with LeBaron colleague Tom Hibbard to form Hibbard & Darrin. Over the next 15 years, they and Darrin's later partner, a banker named Fernandez, created groundbreaking designs, skillfully executed in their own shop, on the most luxurious chassis. So innovative was their work that in 1927 General Motors licensed a Hibbard & Darrin hood and fender treatment for Cadillac, paying the then-considerable sum of $25,000 plus $1,000 per month for the privilege.
Rebounding from a recession in the French economy in 1937, Darrin returned to the U.S. where he set up his own coachworks on Sunset Boulevard in Hollywood. The name he chose, 'Darrin of Paris,' was as flamboyant as his coachwork designs. His name, reputation - and no doubt his bon vivant personality - brought the operation success.
Darrin's favorite body style was the convertible victoria and he excelled at its execution, not only by creating an innovative compromise between sporting and formal coachwork, but also by his mastery of the complicated three-position top mechanism. In Darrin's idiom, a convertible victoria was an open body with seating for four in which the top, which usually completely disappeared when stowed, had an intermediate position which covered the rear seats but left the driver's compartment open in the manner of a formal town car. In 1937 Darrin of Paris executed a cut-down door disappearing-top Victoria on a Packard One-Twenty chassis for actor Dick Powell which was quickly followed by three 1938 Packard Super Eight victorias. Brought to Packard President Alvan MacAuley's attention by Packard's Los Angeles distributor, Earle C. Anthony, the Packard Darrins were cataloged by Packard in 1940 and are the most desirable of all Packards of this period.
Packard Darrins combine a stylish presence and a sporting attitude with the quality and performance of the Packard chassis and engine. They have panache, much like Darrin himself, the other cars of the period strove to emulate but rarely, if ever, achieved. They will, like a few timeless designs from automobile styling history, stop traffic and strike up conversations in any situation. They are just exception.Source - Gooding & Company
The success of Packard's move was amply demonstrated when 1,900 One-Eighties were sold, more than four times 1939's production of Packard Twelves. Sales of the new One-Eighty were boosted by the reception and publicity which one of its new custom styles - the new Darrin Convertible Victoria - received, described by Packard as the 'Glamour Car of the Year,' a claim that was more accurate than advertising hype.
The Darrin
Howard 'Dutch' Darrin was born to money and comfort and blessed with an eye and a sense for style, design and balance. Darrin was not, however, quite as well supplied with family money as his contemporary, Edsel Ford, and labored successfully among his social counterparts during a 40-year career in America and Europe designing some of the most important, successful, elegant and creative coachwork of the Classic Era.
Early in his career Darrin worked at the family company, Automatic Switch Company in New Jersey, designing complex electrical switching systems, including the first push-button elevator switch used by Otis Elevator, experience which later stood him in good stead coping with the mechanical complexities of coachwork including folding-top mechanisms, his famous sliding-door system and relocating the steering column and wheel for lower cowl and hood lines.
Darrin was the ideal representative for LeBaron to send to Paris to represent them in 1922 where his naturally ebullient personality blended smoothly with the 'Jazz Age.' But barely a year later he joined with LeBaron colleague Tom Hibbard to form Hibbard & Darrin. Over the next 15 years, they and Darrin's later partner, a banker named Fernandez, created groundbreaking designs, skillfully executed in their own shop, on the most luxurious chassis. So innovative was their work that in 1927 General Motors licensed a Hibbard & Darrin hood and fender treatment for Cadillac, paying the then-considerable sum of $25,000 plus $1,000 per month for the privilege.
Rebounding from a recession in the French economy in 1937, Darrin returned to the U.S. where he set up his own coachworks on Sunset Boulevard in Hollywood. The name he chose, 'Darrin of Paris,' was as flamboyant as his coachwork designs. His name, reputation - and no doubt his bon vivant personality - brought the operation success.
Darrin's favorite body style was the convertible victoria and he excelled at its execution, not only by creating an innovative compromise between sporting and formal coachwork, but also by his mastery of the complicated three-position top mechanism. In Darrin's idiom, a convertible victoria was an open body with seating for four in which the top, which usually completely disappeared when stowed, had an intermediate position which covered the rear seats but left the driver's compartment open in the manner of a formal town car. In 1937 Darrin of Paris executed a cut-down door disappearing-top Victoria on a Packard One-Twenty chassis for actor Dick Powell which was quickly followed by three 1938 Packard Super Eight victorias. Brought to Packard President Alvan MacAuley's attention by Packard's Los Angeles distributor, Earle C. Anthony, the Packard Darrins were cataloged by Packard in 1940 and are the most desirable of all Packards of this period.
Packard Darrins combine a stylish presence and a sporting attitude with the quality and performance of the Packard chassis and engine. They have panache, much like Darrin himself, the other cars of the period strove to emulate but rarely, if ever, achieved. They will, like a few timeless designs from automobile styling history, stop traffic and strike up conversations in any situation. They are just exception.Source - Gooding & Company
| Convertible Victoria Coachwork: Darrin |
| | View more photos Convertible Sedan Coachwork: Darrin |
Darrin presented his masterpiece to Packard dealers, who then lobbied the company to offer these stunning cars as 'catalogue customs' which it did through 1942. Darrin built the cars in Connersville, Indiana in 1940, and Packard moved production to Hess & Eisenhardt, in Cincinnati, in 1941 and 1942. About 150 Darrins were built, in all, mostly as Convertible Victorias. A few Sedans and Convertible Sedans were built. This example is one of only three Convertible Sedans built in 1940.
The Packard One Eighty was first introduced in 1940 and was Packard's new top-of-the-line vehicle. It served as a replacement for the company's V12 powered vehicle. The Packard 180 was given a eight-cylinder 356 cubic-inch engine that produced an astonishing 160 horsepower. Packard proudly claimed that it was the most powerful eight cylinder engine on the market.
Though most of the other series, the 110, 120, 160, and 180, were similar in body styling in 1940, the 180 was segregated by its exquisite interior detailing, and lush carpets and fabrics. Options included a heater/defroster, air conditioning, radio, fender skirts, backup lights and more.
Styling changed only slightly during its production lifespan, lasting until 1942 when World War II brought an end to civilian automobile production. Famous coachbuilders, such as Darrin and LeBaron were given the opportunity to build their interpretation of the automobile on this accommodating chassis. These were constructed in limited numbers and built to suite the individual customers needs, desires, and specifications.
Though most of the other series, the 110, 120, 160, and 180, were similar in body styling in 1940, the 180 was segregated by its exquisite interior detailing, and lush carpets and fabrics. Options included a heater/defroster, air conditioning, radio, fender skirts, backup lights and more.
Styling changed only slightly during its production lifespan, lasting until 1942 when World War II brought an end to civilian automobile production. Famous coachbuilders, such as Darrin and LeBaron were given the opportunity to build their interpretation of the automobile on this accommodating chassis. These were constructed in limited numbers and built to suite the individual customers needs, desires, and specifications.
| Photos grouped by event | |||
|
31st Annual Ault Park Concours d'Elegance |
Amelia Island Concours d'Elegance |
 Pebble Beach Concours d'Elegance |
2005 BeaveRun Fall Festival |
1940 Packard Custom 8 180 Darrin Series 1806 |
|
| Year | 1940 |
| Make | Packard |
| Model | Custom 8 180 Darrin Series 1806 |
| Engine Location | Front |
| Drive Type | Rear Wheel |
| Production Years for Series | 1940 - 1942 |
| Coach Work | Darrin |
| Weight | 3900 lbs | 1769 kg |
| Engine | |
| Engine Configuration | I |
| L-Head | |
| Cylinders | 8 |
| Engine | Chrysler |
| Aspiration/Induction | Normal |
| Displacement | 356.00 CU IN. | 5834.8 cc. | 5.8 L. |
| Valves | 16 valves. 2 valves per cylinder. |
| Valvetrain | SV |
| Horsepower | 160.00 BHP (117.8 KW) @ 3600.00 RPM |
| HP to Weight Ratio | 24.4 LB / HP (Vehicles with similar ratio) |
| HP / Liter | 27.6 BHP / Liter |
| Compression Ratio | 7.00:1 |
| Main Bearings | 9 |
| Fuel Type | Gasoline - Petrol |
| Vehicles with similar horsepower and weight | |
| Standard Transmission | |
| Gears | 3 |
| Transmission | Manual |
| Final Drive | 3.92 |
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| Articles and Event Coverage |
| 31st Annual Ault Park Concours d'Elegance |
| Amelia Island Concours d'Elegance |
| Pebble Beach Concours d'Elegance |
| 2005 BeaveRun Fall Festival |
| 1940 Packard models |
| 110 |
| 120 |
| Custom Super 8 180 |
| Super 8 160 |
| Super 8 160 Model 1803 |
| Super 8 180 |
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Automobile information, history, and statistics from concept to production. | © 1998-2008 Conceptcarz.com
Automobile information, history, and statistics from concept to production. | © 1998-2008 Conceptcarz.com