Sylvain De Jong, a Dutchman living in Antwerp, Belgium, began building motorized and non-motorized bicycles in 1897. By the early 1900s, De Jong began constructing automobiles and, by 1903, he formed Minerva Motors Société Anonyme. A few years later, Minerva obtained a license from Charles Knight for their double sleeve-valve engine. The sleeve valve engine design was a revolutionary concept that dropped engine noise substantially over the conventional combustion engine. The near-silent engine was to be fitted into all Minerva models to follow and most of the vehicles were given formal coachwork. Some of the Minerva's were built to participate in racing events. Two notable and victorious endeavors were at the Austrian Alpine Trials and the Swedish Winter Trials.
During the 1920s, Minerva offered their models with six-cylinder engines in varying displacement and power ratings. In 1926, the company introduced their AF models which featured a 5.3-liter, six-cylinder powerplant rated at 30 cv. After the company joined forces with Fabrique Nationale (FN) in 1927, the sales and revenue increased for these two large Belgian automobile manufacturers, partially through the refinement of the AF. The engines received a boost in power, with an increase to six liters.
In 1930, the company introduced straight-eight that was available in two sizes, the 6.6-liter AL and the 4 liter AP. The last Minerva was the 2-liter M4 of 1934 but unfortunately, it was not a strong seller. The slow sales and the financial crisis of the 1930s forced the company to restructure as Société Nouvelle Minerva but in 1934 merged with the other major Belgian constructor Imperia. Imperia continued to make Minervas for a year and the AP until 1938 and from 1937 badged some of their cars and trucks for export to England and France as Minerva-Imperias. Just prior to World War II, a group of businessmen from Verviers bought out Minerva.
Minerva was teh Roman goddess of wisdom and strategic warfar. The Minerva auto was known as the Goddess of Automobiles. By Daniel Vaughan | Nov 2011