One of the most original cars on show at the 58th Turin Motor Show has to be the Athon prototype. Following the ups and downs of Lamborghini, Bertone came up with this rather OTT roadster, deliberately taking the roadster concept to extremes. The length and chassis of the Lamborghini Úrraco it is based on remain unchanged in the Athon. The general proportions of the model, and in particular the rear of the car, tend to underline the sheer power of the engine, and this sensation is enhanced by the treatment given to the wings. The ample windscreen, with its pronounced double curve, and original chromatic effect, is a central styling element. In the line-up of Bertone prototypes of the day, the Athon signalled a return to creating international Motor Show stars. After two very down to earth models like the Volvo Tundra and the Fiat Ritmo Cabriolet, Bertone was feeling the need to work on something less bound by the constraints of mass production.
As for the Carabo and the first Stratos in 1970, the Athon meant he was able to give free rein to his creativity.Source - Bertone
At the 58th Turin Motor Show, held in April 1980, Bertone introduced a new concept car based on a Lamborghini chassis – a slightly unusual choice, given that Lamborghini was in dire financial straits at the time. The press release from the Turin coachbuilder made it clear that Bertone wanted to support the company. The name Athon, referring to the Egyptian cult of the sun, was appropriate as the car was a spider, completely devoid of a top and intended as a fair-weather car.
The Athon was the first Bertone concept car created under the direction of Frenchman Marc Deschamps, following the departure of Marcello Gandini at the end of 1979. Some observers had expected Bertone to embrace a different school of design, but under the guidance of Nuccio Bertone, Deschamps seemed to follow closely in the footsteps of his predecessor. The Athon was thus based on similar aesthetic codes to the Bertone concept cars shown since the 1970s, with tense surfaces and highly sculpted geometric volumes delineated by clear edges and cut-lines. Likewise, the Athon explored themes close to Bertone's heart in the treatment of glass surfaces as integrated parts of the bodywork or as openings.
Mechanically, the car was based on the Silhouette, itself closely derived from the Úrraco. The three-litre V-8 gave 260 bhp at 7,500 rpm fed by four Weber carburettors and was mated to a five-speed manual gearbox. The wheelbase was unchanged, but the overall length was under four metres due mainly to the short rear overhang. With no soundproofing, driving the Athon at any speed was a glorious aural experience, as noted by Italian magazine Quattroruote in its July 1980 test review. Without any serious modification to the mechanicals, the car was reported to retain all the positive attributes of the Silhouette in terms of road-holding and handling.
The Athon's proportions were unusual for a spider, with a forward-set cabin and a long and relatively tall rear deck underlining the mid-engine configuration. The engine cover was treated as a separate item, painted semi-matte to subtly offset it from the rest of the bodywork. Designed in such a way as to intentionally blur the boundary between the body and the mechanicals it contained, it even incorporated 'dummy' air-filter boxes on its top surface. In contrast, the smooth wraparound windscreen made use of state-of-the-art glass technology and was smoked to integrate even more with the warm gunmetal grey body colour.
It was a highly graphic but also a highly sculpted car: whilst the overall shape might appear somewhat monolithic – a sure sign of Deschamps's intention – surfaces were deeply recessed on the flanks. The interaction of volumes between doors and side sills is especially dramatic. Taillights were but thin grooves recessed in the rear corners, so as to interfere as little as possible with the solid appearance of the rear end. The two-piece alloy wheels were manufactured by Campagnolo and were close enough to production form that they would be adopted on the new Jalpa a year later.
Although built in a short time span, the Athon shows the same quality of construction inherent in all Bertone prototypes, with a surprising level of attention paid to the interior detailing, both ergonomically and aesthetically. The innovative digital instrument display was developed with the Italian supplier Veglia, while secondary controls normally found on stalks – such as the windscreen wipers and indicators – were instead grouped in a pod a hand-width from the left of the steering wheel. These details, as well as the single-spoke steering wheel itself, were good examples of Bertone seeking to push the envelope with regard to interior ergonomics.
A dramatic and uncompromising spider over suitably exotic underpinnings, the Athon remains an evocative styling statement of its era. Having never been subject to restoration, this striking example of Bertone's design excellence is offered in absolutely original condition.Source - RM Auctions